![]() Diminished Substitutions - 7b9 vs Dim7Īs you will see in the next turnaround variations, 7b9 chords will be used as the degree VI in place of non-altered dom7 chords. This priniciple can be applied to any dom7 chord of turnaround. ![]() Example with G7 (V), that can be replaced by D b7 which is a tritone away. Tritone subs (or dominant chord substitution) is to replace a dominant 7 chord by another dom7 chord whose root is a tritone (three whole-steps) away from the chord of origin. This can be applied to any turnaround and any chord progression. ![]() When harmonized in thirds, the C major scale provides seven chords that are :Ĭmaj7 (I) - Dmin7 (ii) - Emin7 (iii) - Fmaj7 (IV) - G7 (V) - Am7 (vi) and Bm7 b5 (vii). How do they work? It is very simple, each chord within a same key can be replaced with another chord a diatonic third apart. Here are some chord substitutions that can be used in turnarounds : Diatonic Substitutionsĭiatonic substitutions are the most used and the easiest to understand. These chords can belong to the same key or can be outside, provided that they share common notes with the chord they replace. Chord SubstitutionsĬhord substitution involves replacing a chord by another. Before tackling turnarounds, here are some important harmonic tricks that any jazz guitar player know.
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